COMPOSITION AND APPLIED MUSIC

FOUNDATION COURSE

Pre-Academic Course in Composition and Applied Music

The Pre-Academic Course in Composition and Applied Music at the Saint Louis College of Music is a preparatory program designed to develop compositional, project management, and technological skills and to guide students toward admission to the bachelor’s degree programs in Composition & Film Scoring and Applied Music.

The course is designed for students interested in music writing, composition for media and audiovisual works, and the development of musical projects applied to contemporary contexts. The program focuses on the relationship between music, imagery, and technology, providing tools for working with different forms of expression, formats, and production processes.

The curriculum is based on composition classes, design workshops, and activities related to applied music, complemented by the study of music technology and audiovisual languages. The pre-academic program provides the necessary foundation to smoothly transition into the subsequent academic program.

Duration 1 year

Classes are held 6 to 10 hours per week, either in person or online, depending on the study plan and the student’s needs

Where Rome and Milan

Language Italian and English

Admission Process: Placement Test to Assess Initial Skills

The pre-academic course in Composition and Applied Music lasts one academic year, andadmission isbased on an audition. The program is designed as targeted preparation for admission to the bachelor’s degree programs in Composition & Film Scoring or Applied Music.

The curriculum focuses on the study of applied music, with an emphasis on composition for films, commercials, short films, documentaries, dance, theater, and multimedia applications. During the course, students develop their compositional skills by working with ensembles and orchestras of live musicians, while also gaining an in-depth understanding of the use of virtual instruments and music technology.

During the pre-academic course in Composition and Applied Music, students acquire skills in the following areas:

  • Study of traditional and contemporary compositional techniques as applied to writing for piano, voice, and strings, with a focus on form, thematic development, and structural coherence.

  • Study of ornate three- and four-part counterpoint, with practical application in the contexts of film music and music for visual media, as a tool for controlling voices and musical texture.

  • In-depth study of classical and contemporary harmony, including the use of 9th, 11th, and 13th chords as well as altered chords, with a focus on composition and analysis.

  • Study of piano technique, using the piano as a tool to support composition, test musical ideas, and develop harmonic and melodic material.

  • Music technology, including the use of sequencing software, notation software, and virtual instruments, applied to composition, pre-production, and the development of applied music projects.

Upon successful completion of the pre-academic course in Composition and Applied Music, students are admitted directly to the bachelor’s degree programs, choosing from the following tracks:

  • Bachelor’s Degree in Film Music Composition

  • Bachelor’s Degree in Applied Music

The academic programs enable students to develop advanced skills in music composition, sound design, and music for media, preparing them to tackle complex and interdisciplinary professional contexts.

Career Opportunities for Graduates of the Bachelor’s Degree Programs in Composition and Applied Music

Completion of the academic program opens the door to various career opportunities in the fields of music composition and production, including:

  • Composer of music for film, audiovisual productions, commercials, documentaries, theater, dance, and multimedia content.

  • A composer of music for visual media, involved in the design and production of soundtracks and musical productions for digital media.

  • Sound designer, specializing in the development of audio content for audiovisual projects, art installations, and multimedia applications.

  • Composer and arranger for ensembles and original productions, playing an active role in defining the musical language and compositional structure.

  • Music producer involved in the pre-production, development, and execution of artistic projects in the fields of composition and applied music.

The Pre-Academic Course in Composition and Applied Music at the Saint Louis College of Music is designed for students who have already acquired a basic knowledge of music and a specific interest in music writing and compositional design.

The program does not start from scratch and requires prior musical training —both theoretical and practical—sufficient to undertake studies focused on composition and applied music.

Placement Test

Admission to the program is based on an audition, which is designed to assess basic theoretical knowledge of music, the ability to analyze and understand musical language, and aptitude for the study of composition.

The entrance exams are held:

  • in June

  • In September, exclusively for any places still available

How the entrance test is conducted

The admission exams for the pre-academic course in Composition and Applied Music include:

  • Assessment of basic musical skills through theory and harmony exams consistent with the curriculum

  • An aptitude and motivation interview designed to assess the candidate’s profile, their understanding of the chosen path, and their interest in composition and applied music

  • Submission of any musical materials or compositions the student has already created, if available

Every year, students engage in structured experiences in scoring visuals, working on applied music projects and original compositions. The compositions are progressively performed by various instrumental ensembles, ranging from string quartets to woodwind quintets, allowing students to explore different timbral and orchestral approaches.

The program concludes at the end of the pre-academic year witha live performance of the students’ own compositions by an orchestra of approximately 30 musicians, conducted by the students themselves in a theater in Rome, synchronized with the visuals, simulating a real-world professional setting.

Alceste Ayroldi

Vincenzo Martorella

Andrea Iannone

Federico Brugnola

Vittorio Solimene

David Giacomini

Fabrizio Galassi

Emiliano Caroselli

Pietro Imperi

Alessandro Peana

Matteo Cristofori

Sasha Mashin

Michelangelo Buccolini

Giacomo Quintili

Domenico Labanca

Fabio Rogoli

Diego Cignitti

Dario Troisi

Gabriele Ceccarelli

Margherita Flore

Stefano Vestrini

Stefano Daino

Stefano Bagnoli

Alberto Tafuri Lupinacci

Luca Mantovanelli

Alessio Baldelli

Manuel Alejandro Basurto Lomba

Cristina D’Arcangelo

Davide Aru

Davide Di Pasquale

Marco Sfogli

Carlo Attolini

Francesco Fratini

Lele Melotti

Bernardino Ponzani

Elio Rivagli

Biancamaria Scoccia

Alessandro Cusatelli

Milena Nigro

Fabio Balestrieri

Simonetta Collatina

Giovanni Candia

Luca Pasqua

Gabriele Giovannini

Marcello Sirignano

Daniele Mercante

Danilo Cherni

Marco Vallarino

Emanuele Melisurgo

Cristina Carlini

Sanjay Kansa Banik

Michele Di Lazzaro

Simone Maggio

Stefano Mastruzzi

Mauro Massei

Claudio Ricci

Claudia Marss

Pierluca Buonfrate

Marco Biniero

Gianni Di Renzo

Roberto Semeraro

Francesco Delogu

Daniele Baddaria

Franco Ventura

Marco Manusso

Pino Forastiere

Giovanni Imparato

Carlo Mezzanotte

Mario Caporilli

Alberto Zecchinelli

Davide Prestanicola

Alberto Recchia

Vincenzo Lombardozzi

Sandro Mambella

Federico Placidi

Paolo Guaccero

Giuseppe Tortora

Luigi Onori

Andrea Avena

Andrea Proietti

Michel Audisso

Marco Siniscalco

Lorenzo Feliciati

Matteo Balani

Dario Giacovelli

Fabrizio Cucco

Francesco Luzzio

Roberto Sanguigni

Marti Jane Robertson

Alice Ricciardi

Elisabetta Antonini

Marzia Bulli

Cristiano Mastroianni

Claudio Colasazza

Cristina Zavalloni

Luca Proietti

Fabrizio Angelini

Luigi Zaccheo

Natalio Mangalavite

Luca Spagnoletti

Antonio Affrunti

Nicola Di Tommaso

Stefano Sabatini

Dario Zeno

Vincenzo Presta

William Stravato

Giacomo Anselmi

Umberto Fiorentino

Luigi Giannatempo

Ramberto Ciammarughi

Antonio Solimene

Enrico Pieranunzi

Javier Girotto

Fabrizio Sferra

Dario Deidda

Gegè Telesforo

Rosario Giuliani

Gianluca Massetti

Daniele Pomo

Eugenio Vatta

Gilberto Bartoloni

Manuel La Puca

David Logan

Nico Stufano

Diana Winter

Maria Grazia Fontana

Serena Caporale

Adriana Persico

Fabiana Levita

Lisa Fiorani

Giacomo Campolo

Roberta Montanari

Marta Capponi

Marco D’Angelo

Gianluca Podio

Lello Panico

Roberto Giglio

Adriano Melchiorre

Mario Gagliani

Stefania Del Prete

Furio Di Castri

Claudio Mastracci

Daniele Chiantese

Roberto Palladino

Gabriele Curciotti

Luca Bulgarelli

Chiara Calderale

Ainé

Giampaolo Rosselli

Federica Michisanti

Andrea Colella

Maurizio Colonna

Greta Panettieri

Paolo Marra

Giovanni Guardi

Francesco Cara

Joseph Brizzi

Salvatore Carusotto

Fabio Sartori

Gregorio Matteo

Valentina Aiuto

Andrea Maulini

Roberto Riva

Giorgio Scura

Elena Dragotto

Arman Azemoon

Giorgio Riccitelli

Sergio Bachelet

Antonio Taormina

Marco Ginanneschi

Daniela De Bellis

Emanuela Teodora Russo

Federico Rasetti

Francesco Galassi

Massimo Bonelli

Sergio Pellizzieri

Marco Molendini

Roberto Catucci

Teresa De Santis

Roberto Grossi

Vincenzo Cavaliere

Susanna Branchini

Renata Benvegnù

Enrico Maria Polimanti

Andrea Colicchia

Pacho Rossi

Carlo Capobianco

Naima Faraò

Daniel Tromby

Riccardo Marchese

HU

Dario Giuffrida

Vito Lo Re

Jacopo Fiastri

Daniel Besthorn

Francesca Pavesi

Alessandro Spoldi

Francesca Badalini

Marco Bellocchio

Giovanni Marinozzi

Stefano Giungato

Eugene – Eugenio Valente

Ava Alami

SAINT LOUIS PLAYLIST

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INSIGHTS

The pre-academic course offers a choice of four different attendance modes:

  • Ordinary Attendance: Weekly attendance, with classes ranging from 6 to 10 hours, concentrated over 2-4 days each week. This mode allows for guided learning at every step, with continuous monitoring of progress. An average study commitment of 6 hours daily is required. Certain subjects offer both in-person and fully online attendance options.
  • Long-distance Attendance: The pre-academic long-distance course entails from 6 to 8 hours of lessons concentrated every Friday afternoon online (Ear Training and Harmony) and on Saturdays, one week in person and one online. Ideal for students residing outside of Rome or those with busy schedules, including working professionals. The long-distance mode with Saturday classes is exclusive to the pre-academic course.
  • Teen Music Academy Attendance: Tailored for high school students, this personalized course engages students for 1 or 2 afternoons per week, with the aim of preparing them for academic courses upon high school graduation. Exceptionally talented students may be admitted to academic courses even before graduation. Some subjects offer both in-person and fully online attendance options.
  • DAD Attendance: Fully remote education option, suitable for students worldwide.

INSIGHTS

The pre-academic course offers a choice of four different attendance modes:

  • Ordinary Attendance: Weekly attendance, with classes ranging from 6 to 10 hours, concentrated over 2-4 days each week. This mode allows for guided learning at every step, with continuous monitoring of progress. An average study commitment of 6 hours daily is required. Certain subjects offer both in-person and fully online attendance options.
  • Long-distance Attendance: The pre-academic long-distance course entails from 6 to 8 hours of lessons concentrated every Friday afternoon online (Ear Training and Harmony) and on Saturdays, one week in person and one online. Ideal for students residing outside of Rome or those with busy schedules, including working professionals. The long-distance mode with Saturday classes is exclusive to the pre-academic course.
  • Teen Music Academy Attendance: Tailored for high school students, this personalized course engages students for 1 or 2 afternoons per week, with the aim of preparing them for academic courses upon high school graduation. Exceptionally talented students may be admitted to academic courses even before graduation. Some subjects offer both in-person and fully online attendance options.
  • DAD Attendance: Fully remote education option, suitable for students worldwide.

INSIGHTS

  • Full-time attendance: Classes are mostly scheduled on a weekly basis, for a total of 350hours per year
  • Online attendance: Classes are held online; a weekly lesson in presence is scheduled in February, as the exams in June.

LECTURERS

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