Live electronics

Master Diploma

Two-year Master’s specialization in Live electronics. Development of one’s compositional matrix and artistic identity as an electroacoustic musician.

The entire specialization curriculum is tailored to the artistic inclinations of the trainees, aimed at creating real job opportunities with installations, live electronics performances, and live performances at festivals and theaters.

Duration 2 years

Attendance Fortnightly classes held on two consecutive days

Where Rome

Language Italian/English

The course is limited to a maximum of 20 students each year, selected from bachelor’s degree programs or through auditions.

You will gain extensive skills in composing and orchestrating with the latest software and libraries, and in shaping sound through synthesis and/or sampling techniques. This includes developing real-time processing applications for interaction with voice or one or more acoustic instruments, analyzing scores and flowcharts for live electronics, and working with Max8 and Kyma for implementation, modifications, variations, and practical use.

  • Electroacoustic Composition: Theory and practice of Electronic Music in graphical object environments such as Max, Kyma, and Pure Data. Spectrum modeling, temporal shifts and delay lines, Fourier analysis and resynthesis, MC wrapper, Spectral Processing Lab, using Jitter for spectrum creation and transformation, Spectral Blur, Kyma Digital Sound Workstation, Generation Sources, modifiers, and recombiners.
  • Improvisation and Interactive Composition: Study and practice of ensembles aimed at improvisation and real-time composition, utilizing multiple strategies, from interactive assisted composition to ecosystemic procedures and immersive listening.
  • Live Electronics: Development of real-time processing applications dedicated to interaction with voice or one or more acoustic instruments. Implementation, modifications, variations, and practice with Max8 and Kyma, software engineering, implementation and porting with Max and Pure Data, ecosystemic composition, and machine learning.
  • Programming languages: Programming in non-graphic object development environments such as SuperCollider, Processing, Arduino, and JavaScript.
  • Interactive systems and artistic installations: From the prepared instrument to the augmented instrument, The Devices of Ciat-Lonbarde, Sidrax, Tetrax, Cocoquantus, Arius Blaze, and the Illuminist Garden, Ideation and design of sound objects, Interaction and digital augmentation, invention-based lutherie and automatic orchestras, kinetic sculptures, sound art, and multimedia performances.

At the end of the master’s degree program, the student can complete their advanced studies with a specialization program (authorized by the MUR: Ministry of University and Research)

  • Composer of electronic and electroacoustic music
  • Music professions related to sound technologies
  • Music professions related to multimedia events, artistic installations, and sound design
  • Music producer in digital and mixed environments
  • take part in Public Examinations (concorsi) for music teaching (upon obtaining the 24 university or academic credits in anthropo-psycho-pedagogical disciplines and teaching methodologies and technologies)

 

Sergio Bachelet

Luca Spagnoletti

Andrea Proietti

Federico Placidi

Vincenzo Lombardozzi

Roberto Semeraro

Michele Di Lazzaro

Biancamaria Scoccia

Stefano Daino

Matteo Cristofori

David Giacomini

To request information fill out the Form:

Form Hubspot NON TOCCARE!

ACCORDION JAZZ *

INSIGHTS

In In the master’s degree program, two types of ensembles are provided each year: a permanent ensemble that rehearses throughout the year and performs in clubs in Rome with the teacher as part of the band, and a large ensemble that focuses rehearsals in one or two full-immersion weeks for concerts in theaters and recording productions with international guests.

  • Special Guest Jazz Ensemble: Concentrated rehearsals over 3-4 consecutive days followed by a concert with international artists. In recent years, the master’s degree students have performed alongside Aaron Parks, Gegè Telesforo, Greg Hutchinson, Tollak, Roberto Gatto, Rosario Giuliani, Peppe Servillo, Vince Mendoza, Paolo Fresu, Javier Girotto, Fabrizio Bosso, Gianluca Petrella.
  • Professional Jazz Ensemble: A high-profile ensemble, with demanding repertoires, interplay, and improvisation, fortnightly meetings with Rosario Giuliani, Ramberto Ciammarughi, Gegè Telesforo, Javier Girotto, Dario Deidda, Fabrizio Sferra, Paolo Damiani, Amedeo Tommasi, Maurizio Giammarco, Vincenzo Presta, Natalio Mangalavite, Roberto Tarenzi.

REQUIREMENTS: A three-year bachelor’s degree already obtained or to be obtained by the February session (conditional enrollment).

  1. Check the Study Plan and Admission Tests: Ensure your preparation is in line with the skills required for each test by clicking on Download the study plan.
  2. Create the pre-selection videos: Record one or more videos containing 3 pieces performed by you in a group (minimum trio) that represent your artistic activity. The files must be uploaded to YouTube or other similar web portals and indicated as links in the application form.
  3. Fill out the admission application and send the video links: You can apply for the admission exam for first and second level academic courses from February 3 to April 30 (by clicking on the “register” button at the top right). Applications submitted later will only be considered based on available spots.
  4. Wait for the pre-selection results: Candidates who pass the pre-selection will be admitted to the admission tests, which will be held in June and September. 
  5. Take the admission tests: The admission tests are held over two consecutive days.

Mandatory attendance of at least 80% of classes.

  • FULL-TIME ATTENDANCE: Classes are mostly held on a fortnightly basis, so every other week, except for instrumental/vocal lessons, which can be scheduled weekly or fortnightly at the student’s choice. Approximately 300 hours of classes per year.
  • PART-TIME ATTENDANCE: Students who, due to work or distance, cannot attend all the classes required by the study plan can customize their course by choosing how many subjects to take each year. Part-time attendance may result in an extension of the study period beyond 3 years.

Since 2012, Saint Louis has participated in the Erasmus+ program, offering each bachelor’s and master’s degree student the opportunity to undertake mobility periods at other European and non-European Higher Musical Education Institutes for study or internship projects.

Each student can benefit from a maximum of 12 months of study or internship abroad for each study cycle (12 months max during the bachelor’s, 12 months max during the master’s), choosing their destination from a wide and excellent range of foreign partners that Saint Louis has established and consolidated over time.

Special international projects: European Jazz Contest, Italian Jazz on the Road, Italian Jazz C.R.E.A., Minus One – Italian Jazz on the Road to… Tbilisi, Body Sound DiVision.

ACCORDION COMPOSIZIONE JAZZ*

INSIGHTS

In the master’s degree program, two types of ensembles are provided each year: a permanent ensemble that rehearses throughout the year and performs in clubs in Rome with the teacher as part of the band, and a large ensemble that concentrates rehearsals into one or two full-immersion weeks for concerts in theaters and recording projects with international guests.

  • Special Guest Jazz Ensemble: Rehearsals concentrated over 3-4 consecutive days followed by a concert with international artists. In recent years, master’s degree students have performed alongside Aaron Parks, Gegè Telesforo, Greg Hutchinson, Tollak, Roberto Gatto, Rosario Giuliani, Peppe Servillo, Vince Mendoza, Paolo Fresu, Javier Girotto, Fabrizio Bosso, Gianluca Petrella.
  • Professional Jazz Ensemble: A high-profile ensemble with challenging repertoires, interplay, and improvisation, featuring fortnightly meetings with Rosario Giuliani, Ramberto Ciammarughi, Gegè Telesforo, Javier Girotto, Dario Deidda, Fabrizio Sferra, Paolo Damiani, Amedeo Tommasi, Maurizio Giammarco, Vincenzo Presta, Natalio Mangalavite, Roberto Tarenzi.

REQUIREMENTS: A bachelor’s degree already obtained or to be obtained by the February session (conditional enrollment).

  1. Review the Study Plan and Admission Tests: Ensure your preparation meets the skills required for each test by clicking on Download the study plan.
  2. Complete the Admission Application and Submit Video Links: You can apply for the admission exam for bachelor’s and master’s degree from February 3 to April 30 (by clicking the “register” button at the top right). Applications submitted after this date will be considered only based on remaining available spots.
  3. Wait for the Pre-selection Results: Candidates who pass the pre-selection will be admitted to the admission tests, which will be held in June and September.
  4. Take the Admission Tests: The admission tests are conducted over two consecutive days.

Mandatory attendance of at least 80% of classes.

  • FULL-TIME ATTENDANCE: Classes are mostly held on a fortnightly basis, meaning every other week, except for instrumental/vocal lessons, which can be scheduled weekly or fortnightly at the student’s choice. Approximately 300 hours of classes per year.
  • PART-TIME ATTENDANCE: Students who, due to work or distance, cannot attend all the classes required by the study plan can customize their course by selecting how many subjects to take each year. Part-time attendance may result in extending the study period beyond 3 years.

Since 2012, Saint Louis has participated in the Erasmus+ program, offering each bachelor’s and master’s degree student the opportunity to undertake mobility periods at other European and non-European Higher Musical Education Institutes for study or internship projects.

Each student can benefit from a maximum of 12 months of study or internship abroad for each study cycle (12 months max during the bachelor’s, 12 months max during the master’s), choosing their destination from a wide and excellent range of foreign partners that Saint Louis has established and consolidated over time.

Special international projects: European Jazz Contest, Italian Jazz on the Road, Italian Jazz C.R.E.A., Minus One – Italian Jazz on the Road to… Tbilisi, Body Sound DiVision.

ACCORDION POP*

INSIGHTS

Large, resident orchestral ensembles featuring the most talented students, performing in theaters and festivals with internationally renowned artists. In recent years, Special Guests have included Beppe Vessicchio, Paolo Fresu, Fabrizio Bosso, Antonella Ruggiero (Matia Bazar), Diodato, Tullio De Piscopo, Chiara Civello.

  • Pop Orchestra directed by Vincenzo Presta: An ensemble of over 20 members, including rhythm section, brass, strings, and vocals, designed to host major Italian and international pop stars.
  • Soul Train Revolution: Inspired by the famous American music show, Soul Train R-Evolution is a 20-musician ensemble focused on ‘Black Music’ in its broadest sense, blending traditional Soul, Funk, Jazz, and African music with Neo Soul, Gospel, Hip Hop, Fusion, and electronic elements.
  • Latin Louis Combo directed by Natalio Mangalavite: A 16-member ensemble specializing in jazz with South American and Caribbean rhythms.
  • Synth Louis: An experimental ensemble paying tribute to electronic music, synthesizers, and electronic musical instruments in all their forms, open to instrumentalists, vocalists, drummers, and electronic musicians.
  • Progressive Rock by Daniele Pomo: Covers the history of ’70s British and Italian Progressive Rock as well as Contemporary Progressive Rock, from Genesis and PFM to the latest frontiers of Rock and beyond.
  • Twenty Guitars by Diego Cignitti: An ensemble composed exclusively of electric guitars that reinterprets the great history of Italian and international Rock. Twenty guitars that play, explode, harmonize, and interact, creating a whole new wall of sound.

REQUIREMENTS: A three-year bachelor’s degree already obtained or to be obtained by the February session (conditional enrollment).

  1. Check the Study Plan and Admission Tests: Ensure your preparation is in line with the skills required for each test by clicking on Download the study plan.
  2. Create the pre-selection Videos: Record one or more videos containing 3 pieces performed by you in a group (minimum trio) that represent your artistic activity. The files must be uploaded to YouTube or other similar web platforms and provided as links in the application form.
  3. Complete the Admission Application and Submit Video Links: You can apply for the admission exam for first and second level academic courses from February 3 to April 30 (by clicking the “register” button at the top right). Applications submitted after this date will only be considered based on remaining available spots.
  4. Wait for the Pre-selection Results: Candidates who pass the pre-selection will be admitted to the admission tests, which will be held in June and September.
  5. Take the Admission Tests: The admission tests are conducted over two consecutive days.

Mandatory attendance of at least 80% of classes.

  • FULL-TIME ATTENDANCE: Classes are mostly held on a fortnightly basis, meaning every other week, except for instrumental/vocal lessons, which can be scheduled weekly or fortnightly at the student’s choice. Approximately 300 hours of classes per year.
  • PART-TIME ATTENDANCEStudents who, due to work or distance, cannot attend all the classes required by the study plan can customize their course by selecting how many subjects to take each year. Part-time attendance may result in extending the study period beyond 3 years.

Since 2012, Saint Louis has participated in the Erasmus+ program, offering each bachelor’s and master’s degree student the opportunity to undertake mobility periods at other European and non-European Higher Musical Education Institutes for study or internship projects.

Each student can benefit from a maximum of 12 months of study or internship abroad for each study cycle (12 months max during the bachelor’s, 12 months max during the master’s), choosing their destination from a wide and excellent range of foreign partners that Saint Louis has established and consolidated over time.

Special international projects: European Jazz Contest, Italian Jazz on the Road, Italian Jazz C.R.E.A., Minus One – Italian Jazz on the Road to… Tbilisi, Body Sound DiVision.

ACCORDION SONGWRITING + FILM TV SCORING + MUSICA APPLICATA + LIVE ELECTRONICS + MUSIC PRODUCTION + MIX E MASTERING*

INSIGHTS

REQUIREMENTS: A three-year Bachelor’s degree (first-level academic diploma) must already be obtained or expected to be obtained by the February session (provisional admission).

  1. See the Study Plan and Admission Tests: Ensure your preparation aligns with the required competencies for each test by clicking “Download the study plan.”
  2. Complete the Application: You can submit your application for the admission exam to the bachelor’s and master’s degree courses from February 3rd to April 30th (by clicking the “Enroll” button at the top right). Applications submitted after this date will only be considered if there are remaining available spots.
  3. Wait for the Pre-selection Results: Candidates who pass the pre-selection will be invited to take the admission exams, which will be held in June and September.
  4. Attend the Admission Tests: The admission exams take place over two consecutive days.

Mandatory attendance of at least 80% of classes.

  • FULL-TIME ATTENDANCE: Classes are mostly held on a fortnightly basis, meaning every other week, except for instrumental/vocal lessons, which can be scheduled weekly or fortnightly at the student’s choice. Approximately 300 hours of classes per year.
  • PART-TIME ATTENDANCE: Students who, due to work or distance, cannot attend all the classes required by the study plan can customize their course by selecting how many subjects to take each year. Part-time attendance may result in extending the study period beyond 3 years.

Since 2012, Saint Louis has participated in the Erasmus+ program, offering each bachelor’s and master’s degree student the opportunity to undertake mobility periods at other European and non-European Higher Musical Education Institutes for study or internship projects.

Each student can benefit from a maximum of 12 months of study or internship abroad for each study cycle (12 months max during the bachelor’s, 12 months max during the master’s), choosing their destination from a wide and excellent range of foreign partners that Saint Louis has established and consolidated over time.

Special international projects: European Jazz Contest, Italian Jazz on the Road, Italian Jazz C.R.E.A., Minus One – Italian Jazz on the Road to… Tbilisi, Body Sound DiVision.

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