JAZZ TROMBONE

FOUNDATION COURSE

Pre-Academic Jazz Trombone Course

The Pre-Academic Jazz Trombone Program at Saint Louis College of Music is a preparatory program designed to build a solid technical and musical foundation in jazz. Students gradually develop the skills necessary to continue their studies in the Jazz Trombone Bachelor’s Degree Program.

The course is designed for trombonists who wish to strengthen their instrumental technique, deepen their understanding of jazz, and gradually expand their knowledge of the repertoire. Particular attention is given to tone control, intonation accuracy, breath control, phrasing, and the role of the trombone as a melodic voice and harmonic support within the jazz ensemble.

The program consists of individual trombone lessons, supplemented by ensemble activities and guided study of the musical and theoretical aspects related to the instrument. The pre-academic program is the initial phase of a progressive educational path that allows students to continue their studies in the Jazz Trombone Bachelor’s Degree Program at Saint Louis.

Duration 1 to 3 years, depending on entry level

Attendance 6 to 10 hours per week, in regular or long-distance mode, depending on the curriculum and student need

Where Rome, Saint Louis College of Music

Language Italian and English

Admission Process: Placement Test to Assess Initial Skills

The Pre-Academic Course in Jazz Trombone lasts between 1 and 3 years, depending on the student’s entry level and pace of learning. The curriculum is structured to ensure the progressive development of technical, musical, and theoretical skills.

The program follows a gradual progression that consolidates instrumental technique, develops stylistic awareness, and strengthens the ability to interact musically within an ensemble. At the end of the third pre-academic year, after passing the required exams, the student is admitted directly to the Jazz Trombone Bachelor’s Degree Program at Saint Louis.

During the pre-academic course in Jazz Trombone, students acquire skills in the following areas:

  • Lezioni individuali di Trombone Jazz. A personalized program focused on developing instrumental technique, tone control, intonation, articulation, and jazz phrasing, with a teacher chosen by the student.
  • Ensemble Jazz. Ensemble music activities—ranging from trios to big bands—led by professional jazz musicians, to perform the jazz repertoire in the studio and live.
  • Sezione Fiati. Section-specific work focusing on collective intonation, coordinated articulation, and tonal cohesion in the jazz repertoire.
  • Improvvisazione Jazz. A progressive study of improvisational techniques applied to the repertoire, with a focus on phrasing and the relationship between harmonic structure and melodic development.
  • Armonia jazz contemporanea. Study of the main harmonic structures used in improvisation and musical interaction.
  • Jazz Ear Training. Development of listening and transcription skills for melodies and harmonic progressions drawn from the jazz repertoire.
  • Armonia applicata al piano. Piano practice as a tool to support harmonic understanding and independent study of the repertoire.
  • Music Technology. Use of the main music production software programs for individual study and jazz practice.

Upon successful completion of the Pre-Academic Course in Jazz Trombone, students are admitted directly to the Bachelor’s Degree Program in Jazz Trombone, a degree recognized by the Ministry of Universities and Research (MUR) and awarded by Saint Louis College of Music.

The subsequent three-year program will provide students with a structured, in-depth exploration of the language of jazz and enable them to develop artistic and professional skills geared toward concert performance, studio production, and participation in musical projects in the jazz and contemporary genres.

Career Opportunities for Graduates of the Jazz Trombone Degree Program

  • Professional jazz trombonist for live performances, concerts, tours, and recording sessions in the jazz genre.

  • An artist and bandleader of original jazz projects, playing an active role in the musical direction and management of the ensemble.

  • Arranger for small and medium-sized jazz ensembles, with a particular focus on writing for wind instruments and on the balance between melodic and structured parts.

  • Music producer involved in the development, production, and pre-production of jazz projects inthe recording and independent music industries.

  • Composer of background music and music for visual media, in the fields of audiovisual production, digital media, and multimedia content.

The Pre-Academic Jazz Trombone Program at Saint Louis College of Music does not start from scratch; it requires prior instrumental experience and a basic understanding of musical theory. The program is designed for trombonists who wish to systematically build their jazz training through a progressive curriculum that allows them to continue their studies in the Bachelor’s Degree Program in Jazz Trombone.

Entrance test and pathway customization

Students may enroll in the first year or be admitted directly to the second or third pre-academic year, depending on the level of preparation demonstrated during the entrance exam.

For each subject, students are placed in the level that best matches their skill level. It is therefore possible, for example, to take an advanced trombone class, an intermediate harmony class, and a beginner ear training class. Each subject follows an independent, progressive curriculum tailored to the student’s actual level, ensuring a coherent and personalized education.

How the entrance test is conducted

The entrance exams are held:

  • in June

  • In September, exclusively for any places still available

The entrance test evidence includes:

  1. Jazz trombone audition, performance of one or more pieces of the student’s choice, and additional pieces requested by the Admissions Committee (see the admissions program by clicking on“Download Study Plan”)
  2. Harmony Exam, structured as shown in the facsimile for admission to the 2nd and 3rd levels of harmony
  3. Ear training test, structured as per the facsimile for access to the 2nd and 3rd levels of ear training
  4. Aptitude interview aimed at assessing the student’s profile, awareness of the chosen path, and motivation

Ava Alami

Eugene – Eugenio Valente

Stefano Giungato

Giovanni Marinozzi

Marco Bellocchio

Francesca Badalini

Alessandro Spoldi

Francesca Pavesi

Daniel Besthorn

Jacopo Fiastri

Vito Lo Re

Dario Giuffrida

HU

Riccardo Marchese

Daniel Tromby

Naima Faraò

Carlo Capobianco

Pacho Rossi

Andrea Colicchia

Enrico Maria Polimanti

Renata Benvegnù

Susanna Branchini

Vincenzo Cavaliere

Roberto Grossi

Teresa De Santis

Roberto Catucci

Marco Molendini

Sergio Pellizzieri

Massimo Bonelli

Francesco Galassi

Federico Rasetti

Emanuela Teodora Russo

Daniela De Bellis

Marco Ginanneschi

Antonio Taormina

Sergio Bachelet

Giorgio Riccitelli

Arman Azemoon

Elena Dragotto

Giorgio Scura

Roberto Riva

Andrea Maulini

Valentina Aiuto

Gregorio Matteo

Fabio Sartori

Salvatore Carusotto

Joseph Brizzi

Francesco Cara

Giovanni Guardi

Paolo Marra

Greta Panettieri

Maurizio Colonna

Andrea Colella

Federica Michisanti

Giampaolo Rosselli

Ainé

Chiara Calderale

Luca Bulgarelli

Gabriele Curciotti

Roberto Palladino

Daniele Chiantese

Claudio Mastracci

Furio Di Castri

Stefania Del Prete

Silvio Relandini

Mario Gagliani

Adriano Melchiorre

Roberto Giglio

Lello Panico

Gianluca Podio

Marco D’Angelo

Marta Capponi

Roberta Montanari

Giacomo Campolo

Lisa Fiorani

Fabiana Levita

Adriana Persico

Serena Caporale

Maria Grazia Fontana

Diana Winter

Nico Stufano

David Logan

Manuel La Puca

Gilberto Bartoloni

Michele Braga

Pasquale Catalano

Paolo Vivaldi

Ludovico Fulci

Eugenio Vatta

Daniele Pomo

Gianluca Massetti

Rosario Giuliani

Gegè Telesforo

Dario Deidda

Fabrizio Sferra

Javier Girotto

Enrico Pieranunzi

Antonio Solimene

Ramberto Ciammarughi

Luigi Giannatempo

Umberto Fiorentino

Giacomo Anselmi

William Stravato

Vincenzo Presta

Dario Zeno

Stefano Sabatini

Nicola Di Tommaso

Antonio Affrunti

Luca Spagnoletti

Natalio Mangalavite

Luigi Zaccheo

Fabrizio Angelini

Luca Proietti

Cristina Zavalloni

Claudio Colasazza

Cristiano Mastroianni

Marzia Bulli

Elisabetta Antonini

Alice Ricciardi

Marti Jane Robertson

Roberto Sanguigni

Francesco Luzzio

Fabrizio Cucco

Dario Giacovelli

Matteo Balani

Lorenzo Feliciati

Marco Siniscalco

Michel Audisso

Andrea Proietti

Andrea Avena

Luigi Onori

Giuseppe Tortora

Paolo Guaccero

Federico Placidi

Sandro Mambella

Vincenzo Lombardozzi

Alberto Recchia

Davide Prestanicola

Alberto Zecchinelli

Mario Caporilli

Carlo Mezzanotte

Giovanni Imparato

Pino Forastiere

Marco Manusso

Franco Ventura

Daniele Baddaria

Francesco Delogu

Roberto Semeraro

Gianni Di Renzo

Marco Biniero

Pierluca Buonfrate

Claudia Marss

Claudio Ricci

Mauro Massei

Stefano Mastruzzi

Simone Maggio

Michele Di Lazzaro

Sanjay Kansa Banik

Cristina Carlini

Emanuele Melisurgo

Marco Vallarino

Danilo Cherni

Daniele Mercante

Marcello Sirignano

Gabriele Giovannini

Luca Pasqua

Giovanni Candia

Simonetta Collatina

Fabio Balestrieri

Milena Nigro

Alessandro Cusatelli

Biancamaria Scoccia

Elio Rivagli

Bernardino Ponzani

Lele Melotti

Francesco Fratini

Carlo Attolini

Marco Sfogli

Davide Di Pasquale

Davide Aru

Cristina D’Arcangelo

Manuel Alejandro Basurto Lomba

Alessio Baldelli

Luca Mantovanelli

Alberto Tafuri Lupinacci

Stefano Bagnoli

Stefano Daino

Stefano Vestrini

Margherita Flore

Gabriele Ceccarelli

Dario Troisi

Diego Cignitti

Fabio Rogoli

Domenico Labanca

Giacomo Quintili

Michelangelo Buccolini

Sasha Mashin

Matteo Cristofori

Alessandro Peana

Pietro Imperi

Emiliano Caroselli

Fabrizio Galassi

David Giacomini

Vittorio Solimene

Federico Brugnola

Andrea Iannone

Vincenzo Martorella

Alceste Ayroldi

SAINT LOUIS PLAYLIST

To request information fill out the form

Form Hubspot NON TOCCARE!

INSIGHTS

The pre-academic course offers a choice of four different attendance modes:

  • Ordinary Attendance: Weekly attendance, with classes ranging from 6 to 10 hours, concentrated over 2-4 days each week. This mode allows for guided learning at every step, with continuous monitoring of progress. An average study commitment of 6 hours daily is required. Certain subjects offer both in-person and fully online attendance options.
  • Long-distance Attendance: The pre-academic long-distance course entails from 6 to 8 hours of lessons concentrated every Friday afternoon online (Ear Training and Harmony) and on Saturdays, one week in person and one online. Ideal for students residing outside of Rome or those with busy schedules, including working professionals. The long-distance mode with Saturday classes is exclusive to the pre-academic course.
  • Teen Music Academy Attendance: Tailored for high school students, this personalized course engages students for 1 or 2 afternoons per week, with the aim of preparing them for academic courses upon high school graduation. Exceptionally talented students may be admitted to academic courses even before graduation. Some subjects offer both in-person and fully online attendance options.
  • DAD Attendance: Fully remote education option, suitable for students worldwide.

INSIGHTS

The pre-academic course offers a choice of four different attendance modes:

  • Ordinary Attendance: Weekly attendance, with classes ranging from 6 to 10 hours, concentrated over 2-4 days each week. This mode allows for guided learning at every step, with continuous monitoring of progress. An average study commitment of 6 hours daily is required. Certain subjects offer both in-person and fully online attendance options.
  • Long-distance Attendance: The pre-academic long-distance course entails from 6 to 8 hours of lessons concentrated every Friday afternoon online (Ear Training and Harmony) and on Saturdays, one week in person and one online. Ideal for students residing outside of Rome or those with busy schedules, including working professionals. The long-distance mode with Saturday classes is exclusive to the pre-academic course.
  • Teen Music Academy Attendance: Tailored for high school students, this personalized course engages students for 1 or 2 afternoons per week, with the aim of preparing them for academic courses upon high school graduation. Exceptionally talented students may be admitted to academic courses even before graduation. Some subjects offer both in-person and fully online attendance options.
  • DAD Attendance: Fully remote education option, suitable for students worldwide.

INSIGHTS

  • Full-time attendance: Classes are mostly scheduled on a weekly basis, for a total of 350hours per year
  • Online attendance: Classes are held online; a weekly lesson in presence is scheduled in February, as the exams in June.

LECTURERS

keyboard_arrow_up