Confluences, RUFA, and Saint Louis Join Forces for Videocittà

Confluences: RUFA and Saint Louis Join Forces for Three Evenings of Audiovisual Art as Part of Videocittà Watercult 2026

Five multimedia performances born from the collaboration between musicians and visual artists, July 10–12, 2026, in the evocative setting of Rome’s Gazometro, a site of urban industrial archaeology

RUFA and Saint Louis College of Music present *Confluences*, an audiovisual project that brings five live performances —built around a constant dialogue between sound and image—to the stage of the Gazometro as part of Videocittà Watercult 2026. From July 10 to 12, 2026, over three evenings—each featuring two events—five groups of visual artists studying in RUFA’s Multimedia Design and Creative AI and Cinema programs will collaborate with ensembles of students from Saint Louis’s academic programs in Jazz and Pop, in an exchange conceived as a recursive ecosystem: video influences sound, sound influences video, with no predetermined direction.

The common thread linking these works iswater, explored from a wide variety of perspectives: from the Venice lagoon to the Tiber, from the tear as an emotional trace to the spring as a source. Each performance arises from the interplay between the visual sensibility of RUFA’s artists andthe musical improvisation of the Saint Louis musicians, who are students of electronic music, voice, piano, guitar, and bass. The convergence of the two languages takes shape in a shared stage set, designed to convey in real time the relationship between what is seen and what is heard.

Confluences, organized by RUFA and Saint Louis College of Music, is part of the Videocittà Watercult 2026 program, the Festival of Vision and Digital Culture, which returns to Rome’s Gazometro from July 10 to 12, 2026, dedicating its ninth edition to the theme of water.

Light installations, immersive, interactive, and virtual reality experiences, digital art, DJ sets, and live audiovisual performances will bring Europe’s largest urban industrial archaeology site to life.

Videocittà Watercult 2026

  • Via del Commercio 9-11, Rome (Metro Line B, Garbatella)
  • Doors and ticket office open to the public at 7:00 p.m.
  • Admission: €20 per day; three-day pass €50; free admission for children under 12
  • Discounted tickets (20%) for students, teachers, and staff at Saint Louis (promotional code in the newsletter)
  • About: https://www.videocitta.com/
Confluences, RUFA e Saint Louis insieme per Videocittà

The Three Confluences Evenings

Friday, July 10, at 7:00 p.m. and 8:00 p.m. Surface Tension, by Rachele Cominella. A work that traverses the postcard image of Venice through live footage and physical projections onto the lagoon, where everyday gestures and infrastructure intertwine on a body of water that becomes a body.

Ensemble Set 1: Bbleoh (electronics), Anna Pia Gallo (vocals)

Ensemble Set 2:QT on electronics, Jacopo Tarchi on guitar

Saturday, July 11, 7:00 p.m. “Vacuo Accumularsi”, by Lorenzo Fabbri and Michele Pomponio. A man standing atop a cliff tries to reach the sea: the motion of his dive expands and repeats itself, until he, too, must propel himself forward to stay afloat.

Ensemble: Lorenzo Nicoletti (electronics), Giuseppe Forlenza (guitar), Martha Deribe (vocals)

Saturday, July 11, 8:00 p.m. Source, by Marta Zorzan and Lorenzo Tomassucci. A reflection on water as a primal language, composed of movements and cycles with no visible boundary between beginning and end. A journey that spans from the intimate to the cosmological, from a single drop to the origin.

Ensemble: Martin Lucas de Carvalho (electronics), Edoardo Paggi (guitar), Silvia Roberto (vocals)

Sunday, July 12, 7:00 p.m. *Suspended Floating Point Operations*, by Cor Langerak. Footage of the Tiber, which the current itself distorts, to the point of transforming the river into a cloud of three-dimensional points: a meditation on the dissolution and loss of precision inherent in every measurement.

Ensemble: Iacopo Franceschini (electronics), Leonardo Cervini (bass), Caterina Zanella (vocals)

Sunday, July 12, 8:00 p.m. Tear Model, by Angela D’Onghia and Simona Vacca. A performance that explores the possibility of artificial sadness through the computational simulation of emotions, using the tear as the point of intersection between the body and the algorithm.

Ensemble: Iolanda Isabella (electronics), Silvia Olivier (piano), Angelica Bianchi (vocals)

Confluences – July 10, 11, and 12, 2026

Confluences, Surface Tension at Videocittà Watercult 2026

Vacuo Accumularsi and Source: Second Evening of Confluences

Confluences, Suspended Floating-Point Operations, and the Tear Model

keyboard_arrow_up