Saint Louis Choirs open auditions

Saint Louis Choirs open auditions to join vocal ensembles directed by Saint Louis faculty.

To participate in the auditions, choose your choir from all those activated for A.Y. 2022/23 and make your reservation by filling out the form at the bottom of the page. It is possible to book for more than one audition.

Saint Louis Choirs open auditions and free for all Saint Louis students (pre-academic, academic and custom) and outsiders.

Songwriter Choir

Edited by Maria Grazia Fontana
Vocal ensemble whose repertoire is dedicated to classic songs of the Italian singer-songwriter interpreted in an original, fresh and captivating way thanks to the arrangements edited by Maria Grazia Fontana, director of the choir.

Auditions Tuesday, Jan. 10, 7:10 p.m. at Classroom 9, Via Del Boschetto
The course will start on January 17 with a 7:30 p.m. – 9:00 p.m. schedule

Gospel Choir

edited by Claudia Marss
Study of the gospel repertoire, from traditional to Contemporary/Urban Gospel. Interpretation, understanding, expression of the gospel through the body and the voice. Original arrangements

Auditions Friday, Nov. 11 from 5 p.m. – 7:30 p.m. at Classroom 7, Via Del Boschetto
The course will start on November 18 with a schedule of 18:00 – 19:30 weekly cadence

Brazilian Choir

Brazilian repertoire. Continued training of the group is planned with the study of the various styles, the polyrhythms that distinguish them, and pronunciation with typical Brazilian vocals, in order to learn to sing like Brazilians. Polyphonic and polyrhythmic choir, whose voices are used both for harmonic/melodic and rhythmic accompaniment, or rather polyrhythmic.

Auditions Wednesday, Nov. 16 from 6 p.m. – 8:30 p.m. at Baccina Street Classroom 1
The course will start on November 23 with 7:00 p.m. – 8:30 p.m. weekly cadence

Pop Choir

edited by Margherita Flore
Margherita Flore’s Pop Choir Laboratory is based on the entirely vocal reworking of songs taken from the international, modern and contemporary Pop scene. The writing of the arrangements focuses on the search for vocal versatility in reproducing elements of the rhythm section strictly a cappella, alternating percussive skills with layered melodic lines. By studying the repertoire we will proceed to identify some imitative timbres of the instruments, to be achieved through scores and audio samples recorded for each section.
Good reading required

Auditions Wednesday, Nov. 15 from 6:10 p.m. – 8:30 p.m. at Baccina Street Classroom 1
The course will start on November 22 with a schedule of 18:30 – 20:00 weekly cadence

Fantasy Voices Choir

edited by Milena Nigro
Singing in choir is a great way to improve one’s listening skills and perception of harmony and rhythm. It is also a tremendous stimulus for those who want to gain more control of vocal technique. One’s voice must shape, mold and be enriched with harmonics in order to blend in and surrender to the magic of choral sound, the excitement of melodic and rhythmic interlacing.
In the multistylistic choir, they will work from a cappella pieces to develop rhythmic ability and intonation, vocal emission quality and deep perception of harmony, and then move on to repertoire with rhythm section or orchestral ensembles.

The repertoire will range from Disney soundtrack masterpieces to the great classics of popular music, jazz and Brazilian music, with all original arrangements created for the ensemble on hand.
Part of the work will be devoted to studying the form of the proposed arrangements, enabling the choristers to easily follow even a complex score.

Auditions Saturday, Nov. 19 from 11 a.m. – 12:30 p.m. at Classroom 14 on Baccina Street
The course will start on November 26 with 11:00 a.m. – 12:30 p.m. weekly cadence

Popular Music Choir

by Cristina Zavalloni
This choir aims to be a collective moment of sharing folk music in the broadest sense. Music that belongs to our heritage, from various stylistic backgrounds: from villanelles, madrigals, traditional songs, and pop.
The first goal is to sing together: to listen to each other, recognizing the vibration that is produced and that unites us.
My wish is for much singing and little reading. We will make both written and improvised music together, and mnemonic learning will be key. Many of the harmonizations of the various voices will be offered verbally, to train the ear and make us pliable and willing to work in a new way each time.
The course is open to any type of voice.

Auditions Thursday, Oct. 27 time 09:00 a.m. – 11:40 a.m. at Cimarra Classroom 6
The course will start on November 10 with a schedule of 09:00 – 10:40 a.m. fortnightly

Sgt. Pepper’s Saint Louis Guys

edited by Cristina D’Arcangelo
Choral ensemble that re-proposes the best known Beatles pieces, arranged and adapted to be performed a cappella.

Auditions Tuesday, Nov. 22 5:00 p.m. – 6:30 p.m. at Room 11 Urbana
The course will start on Nov. 22 with 5 p.m.-6:30 p.m. weekly cadence.

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