The album was born from Francesca Feci’s desire to express her relationship with music, understood not as a possession, but as “an extraordinary gift to be cared for with dedication.” This emotional tension runs through the entire sonic architecture of Devotion, where the compositions create a narrative space that brings together the personal and the collective.
Vinyl
The album was born from Francesca Feci’s desire to express her relationship with music, understood not as a possession, but as “an extraordinary gift to be cared for with dedication.” This emotional tension runs through the entire sonic architecture of Devotion, where the compositions create a narrative space that brings together the personal and the collective.
The tracklist includes nine songs: “To Be Here,” “My Role,” “Devotion” featuring Ramberto Ciammarughi, “Alba Perpetua,” “Nel Soffio Lieve,” “Con Infinite Voci” with pianist Enrico Pieranunzi, “A Stone In The Sea,” again with Maestro Pieranunzi, and “For All I Own.” Each piece represents a facet of Feci’s personal artistic exploration.
Alongside the featured appearances of Enrico Pieranunzi and Ramberto Ciammarughi, the album also benefits from the collaboration of distinguished musicians. Francesca Feci is joined by Giuseppe Sacchi on piano, Vincenzo Quirico on double bass, and Francesco Fratini on trumpet. The B.I.M. Orchestra appears on several tracks, expanding the orchestral palette.
The album was produced by the Jazz Collection label of the Saint Louis College Of Music, with production and artistic direction by Stefano Mastruzzi. The work belongs to the pop-jazz category, while maintaining a harmonic exploration that extends beyond the boundaries of any strict genre definition.
In Francesca’s inspired world, the songs release messages of visionary hope between the lines of the lyrics, where music and life merge into one precious and unique reality. It is the portrait of an artistic journey that seeks, within the many situations of existence, the possibility of rediscovering what Feci defines as “the light, always.”





