And once assured of the solidity of the whole architecture of the trio and born Melodies, he was able to express his multiple individual gifts.

• As a soloist Sabatini is convinced by his approach of almost austere classicity and by the rigour in the search for effects, but of great interest, are also his compositions.

Here to make your footprint even clearer, there are six: They run from the captivating melodic eloquence of Sad Eyes to the brilliance of 2 A.M., touching the somewhat exotic taste of Sooner Or Later or the intrigued phrase of Minnie’s Bounce.

Only three external loans – also well arranged – were taken from Broadway (I’ll Never Stop Loving You), the Beatles (The Fool On The Hill) and the Italian song respectively (Amico che voli, repertorio di Edoardo De Crescenzo).

Stefano Sabatini | Melodies In addition to following the leader at all times, Di Castri and Gatto find several ways to come to the forefront and recall the light of the reflectors. “Melodies” is a laboratory of authentic masters.